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The Crouton Generation Archives

==================================
Star Trek:  The Crouton Generation
Season 4, Pack #25
==================================

Date: Thu, 6 Feb 92 11:46:03 -0500
From: bryant@husc.harvard.edu
Subject: Heisenberg Episode, Part 1 ***LONG***
From: wald2@husc

Note: This episode has been sent out in two parts, due to practical
considerations. It is not a two-part episode, so it is best that you
read this half-episode and the half-episode sent right after it in
rapid succession. Also, since this episode is sort of a sequel to
"The Doh is Violent," you may want to reread that episode, but it
shouldn't be necessary. Anyway, Enjoy. --Kevin

-------------------------------------------------------------------

[Scene: An Elysium-compatible field. In the background, fawns tread
 delicately through the lush green grass. In the foreground, Polgara
 is playing upon a beribboned pastoral pipe.  She is surrounded by
 a multitude of gentle woodland creatures--does, rabbits, squirrels
 --who have been attracted by her air of complete goodness and 
 unselfishness. She spontaneously lapses into pastoral verse:]

Polgara: Thrice happy she who hides from pomp and power
         In sylvan shade or solitary bower;
         Where verdant visions greet her weary eyes--

Her Communicator (Iluvanna): 
         
         Shore-leave's off; prepare to Croutonize.

[Which she does, reappearing in the Croutonizer Room.]

Polgara: How *dare* you interrupt--

Iluvanna: Sorry--we're rounding everyone up. [A small slug-like creature
       falls out of one of the folds in her robe, and Iluvanna bends down
       to examine it. When Polgara follows his lead, several more of the
       creatures shake out of her clothing.] Looks like you've attracted
       quite a following there. [Iluvanna picks up one for a closer look.]

Polgara: I don't understand--why didn't the biofilter pick them up?

Iluvanna: The biofilter's just for small, internal things. It'll
       do wonders if you've got dysentery or Rigelian blood-crud,
       but it won't help you a bit if you've just got fleas. For
       that, we need something a bit more subtle. [Pulls out a 
       phaser.]

Polgara: Wait a minute--what the--

Iluvanna: Trust me--I'm a trained Croutonizer Technician. [Adjusts
       phaser setting] Hmm . . . Is it supposed to be one-point-
       seven, or seven-point-one? Oh well . . . [Fires, point-blank
       and wide-beam, at Polgara. The cone-shaped beam continues
       for several seconds, during which time Polgara, while entirely
       unharmed by the phaser energy enveloping her, is growing
       increasingly annoyed.]

Polgara: Are you *quite* finished?

Iluvanna [checking his watch]: Almost . . . eighteen, nineteen, twenty.
       [Releases trigger.] That should about do it. [Four or five of
       the little slugs fly out from between Polgara's shoulder blades,
       quite obviously under their own power.] Hmm . . . well, let's
       try again. [Adjusts phaser, resumes firing. After a few seconds,
       the phaser starts to splutter and flicker.] What the--
    
   [The phaser ceases to function entirely. Iluvanna squeezes the trigger
    a few more times, but it is no use. He opens the frontal phaser
    casing, revealing several dozen slug bodies. Some are charred, some
    are squashed, but the dozen that fly out are most definitely alive.]



                       The Wrath of Jones

                 Written and Produced by: Kevin Wald
                 Directed by: The Fickle Finger (tm) of Fate
                 Mucus by: Gastropods, Ltd.
                
                 Guest Starring:
                      Gerard Depardieu      as Jones 
                      Susie Plakton         as Rosalind
                      Charles Notar         as Ardrys

                 With a Special Appearance By:
                      Richard Stans         as Lt. Mondegreen


[On the Bridge.]

Kabeta: Captain's Log, Stardate 10____._. The shore-leave time granted
      to the crew in the wake of the Doh incident (several months late,
      actually, due no doubt to Starfleet bureaucracy) has, unfortunately,
      drawn to a close.  We are currently in the process of collecting
      our scattered crewmembers, who, owing to a diversity of tastes
      unparalleled in the Federation, have elected to take their time
      off on . . . [Looks at list.] Twenty different worlds?

Kleber [Entering, toweling off his head]: It's not *that* surprising,
      Captain. I mean, while I find the sea-world of Merquon calm
      and relaxing, it would be positively dangerous for those
      crewmembers who cannot breathe under water.

Kabeta: Still, *twenty* planets does seem a tad . . . excessive. 
      On the first ship I was on, a shore-leave meant everyone went down
      to the same planet.

Furd the Nurd: Ah! Luxury! At least ye *had* shore-leaves. On my old ship,
      when the crew wanted a vacation, we all went into the rec deck and
      played *bingo* for two days.

Thokk: Luxury! At least ye *had* bingo. On my planet, the only entertainment
      we had was to hit each other with *rocks*. And we *liked* it.
      Particularly when the person getting hit was really obnoxious.

Kleber [Looking over Kabeta's shoulder at the planet list]: Besides, it's
      not really twenty planets. Look--[brushes a slug off the list and
      points to what had lain under it]--this one's a starbase, not a planet.

Kabeta [reads]: Starbase 6502. [Ponders:] What kind of creature would take
      shoreleave on a starbase?


[Scene: The Arcadia Theatre, conveniently located at the end of the shopping
 arcade on Starbase 6502. Scattered throughout the audience are Redshirts,
 in yellow shirts, of course. We focus in on two such, conversing.]

Mondegreen: . . . so while it may not offer the green fields or sandy
      beaches of a planet-side leave, a starbase also offers you less 
      chance of being turned into a cube and then crushed.

Unimportant Crewmemeber: Your colleagues seem to have followed the same
      reasoning--half of Security seems to be here. [Pointing:] There's
      Smith, Brown, Chang . . . Ah, those great names, never to be 
      forgotten.

Mondegreen: *My* colleagues? . . . Ah, so that shirt you wear is
      Engineering-yellow, not Security-yellow?

Unimportant Crewmember: Indeed--my motive in coming here is not
      self-preservation; I'm just here for the show.
      
Mondegreen: You enjoy historical drama? I'm quite a history buff
      myself, actually . . .

Unimportant Crewmember [making a dismissive gesture]: The play itself
      I can take or leave--I'm here to see the great Thestor on 
      stage.

Mondegreen: The great Thestor? I don't believe I've heard of him.

Unimportant Crewmember: Then you are in for a rare treat tonight.
      Such a dynamic range! Such gesturing! Such a drop-kick! Such . . . 

[The lights go down, cutting off Unimportant Crewmember's exposition.
 An airy four-note melody plays. The stage-lights go up revealing Thestor,
 a ponderous figure in the costume of a Starfleet Captain of over a
 hundred years past. Thestor, after bowing to the energetic applause
 of the audience, begins the role of Kirk.]

Thestor [Gesturing wildly]: 
               Space!
               [Dramatic pause]
               The Final Frontier.

A Voice [From the midst of the theater]:
             Wretch! Have I not forbade you to play here?

Thestor [Frightened]: Jones! Now, now, now--

Voice: A perfect triolet! But your performance lacks something.
      Go rehearse it some more--elsewhere!

Thestor [Trying to continue, in a voice of no great assurance]:
        Space . . .

Voice: Is the best possible environment for such a talent as yours.
       Your voice would finally be done justice by the acoustics
       of a perfect vacuum, and the theatrical world would be given
       an immeasurable gift when your last breath finally escaped
       from your voluminous lungs. [Jones--for it is indeed he--
       emerges from the crowd.] Of course, the same effect might be
       achieved by puncturing the balloon. [His hand is at his make-shift
       scabbard.].

Thestor [Desperately attempting dignity]: Sir, when you insult me,
       you insult the Muse!

Jones: Which one? Dysterpe--the muse of overdone music? Or Transurania,
       the muse of mistaken astronomy? Pollyhymnia, muse of parroting?
       [He finally notices that Thestor has escaped.] What is this?
       I have been cheated! I pay good money to see a theatrical
       performance--and the stage is empty. How shabby--how unalterably
       shabby! [His nose, having (like most body parts) no sense of
       irony, has grown quite, quite long. In fact, its apparent size
       is still greater, for it is borne boldly outwards, as Jones
       has assumed a not-quite-perfect imitation of the Standard 
       Heroic Kirk Pose (Non-Equestrian).]

Mondegreen [standing up]: Ahem . . . Your pose is wrong.

Jones [leaping down to face Mondegreen, frumious]: *What* did you say?

Mondegreen: I said, your pose is wrong.

Jones [calming somewhat]: Oh, my *pose* . . .

Mondegreen: Yes . . . it's nothing really major--I just have a thing for
       historical accuracy. Anyway, you've certainly got the heroic
       speechifying down pat; your prose is strong, and--

Jones [uncalm again]: Sir, you mock me!

Mondegreen [confused by Jones' anger]: Not at all--your consonants are
       crisp and aspirated, and your vowels are clean and resonant.
       Particularly your long o's--

Jones: Enough! What is your name, sir?

Mondegreen: Lieutenant Richard Mondegreen, of the U.S.S. Heisenberg.

Jones [Drawing his sword]: Then, Lieutenant Mondegreen, you shall
       die exquisitely, at . . . Wait a minute, nothing *rhymes* with
       Mondegreen.

Unimportant Crewmember: How about "Rhonda Green"?

Jones: Shut up! How can I compose a Limerique Extempore when--
       [His question is cut off by the sound and sparkle of every
       Heisenberg officer in the theater being simultaneously beamed up.
       When Jones realizes what is happening, he becomes even more
       enraged.] Federation Bastards! [He raises his sword.] So help
       me, by the stars in the heavens and by the dirt of my native
       land, I shall hunt thee down. I--

[Rosalind enters, pushing a refreshment cart loaded with all manner
 of edibles.]

Rosalind [to Jones]: Calm down, brother--you're theeing again. [She holds
       up a petit-four.] Have something to eat--it'll settle your
       bile.

Jones: I do not *wish* to calm down. I--[She is looking at him quite
       sternly. Grumbling:] Very well . . . [He walks over to the
       cart, and takes a small glass of water, a single grape, and,
       from the pasta salad, one macarono. After consuming these, he
       is indeed somewhat calmer.] So, what's new, sis?

Rosalind: I'm to be married!

Jones: What? That bastard Ardrys has finally worn you down?

Rosalind [laughing]: Heavens, no . . . And it's not nice to talk about
       the base commander that way.

Jones: Base he may be, but my commander--never. So, who's the lucky fellow,
       then? I don't suppose you've finally latched on to someone 
       respectable--say, a privateer or mixicologist . . .

Rosalind [cautiously]: Well, he's a starfleet officer, stationed on the
       U.S.S. Heisenberg.

Jones [bitter]: How nice. A swaggering, tin-plated--

Rosalind: . . . And he's a Baronet . . .

Jones: Correction--carpet-plated. What a combination: Starfleet *and* the
       Society for Chivalric Atavism . . .

Rosalind: No, no, not an SCA-Baronet, a Baronet-Baronet. You know, the
       real kind. 

Jones: The melodrama-and-family-curse kind?

Rosalind: Right.

Jones: How charming. Tell me, when can I meet this Baron of yours?

Rosalind: Baron*et*. The twenty-seventh Baronet Ruddigarb. [Looks
       around.] Actually, I was supposed to meet him here . . .

Jones: I wouldn't hold my breath. In a dramatic display of the courage
       and sticktoitiveness for which Starfleet officers are known 
       throughout the galaxy, the entire yellow-clad subset of our
       audience decided, shortly before you arrived, that they would
       rather be elsewhere, and consequently beamed back to their
       ship--the Heisenberg, I suppose, it's the only ship in port.
       I would guess that your Baronet was among them. [He notices
       her face has fallen.] Come, come--did you really expect
       steadfastness from a Starfleeter on shore leave? You may
       have been his fiancee, but I doubt he was yours. Starfleet
       personel are notorious for this sort of thing; heck, they
       say the captain of the Heisenberg--Kabeta of the sapphire
       eyes--has a suitor in every empire in the Galaxy. And when 
       you add in the Titled Nobility factor--

Rosalind: He wouldn't just leave me. There must be some explanation.
       If I could just talk to him . . .

Jones [struck by inspiration]: Hmm . . . It so happens that I have some,
       um, unfinished business on the Heisenberg . . . A debt I owe
       to a certain security officer. What say, while I'm there, I
       retrieve your Baronet? If his love is as true as you believe
       it is, I'm sure he'll be eager to return to you.

Rosalind: Would you really do that? [Jones nods. Rosalind removes one 
       of her earrings, an almost perfect silver sphere. She hands it
       to Jones.] He gave them to me the night we pledged our love.
       Take it to him, so he'll know I sent you.

Jones [examining the bauble with a merchant's eye]: Heavens! This must
       have cost him all of two-and-a-half credits. True love, indeed!

Rosalind [angering]: Just go!

Jones: Indeed! To the Heisenberg--[He draws his sword]--to retrieve your
       love, and to slay my Lieutentant! Tally-ho! [He dashes off,
       his sword held high.]

Rosalind [calling after him]: Wait a minute--slay who?

Jones [Out the door and way down the corridor by now]: Tell you later--
       don't worry, I'll have time to do both . . . [His voice
       trails off in the distance.]

        *        *        *       *       *       *       *

[Scene: Ship's Counselor's office. Jiapa is seated at her desk, in front
      of which is seated Lt. Mondegreen.]

Jiapa [consulting a form in front of her]: So, Bart . . .

Mondegreen: That's not my name.

Jiapa: I'm sorry . . . So, Bartholemew, what seems to be--

Mondegreen: No, no. My *name* is Richard Mondegreen. My *title* is
      Baronet Ruddigarb. [He takes the sheet of pseudopaper,
      and points to an entry.] See, that Bart. is under "Titles,
      Non-SCA." [He examines the page.] You know, this is
      a really lousy printing job.

Jiapa: The phaser printer is down--something about it being jammed
      up with slugs . . .

Mondegreen: I didn't realize it was coin-operated.

Jiapa: No, *slugs*--little slimy . . . [Regaining control of the
      conversation] So, Richard, what seems to be the problem?

Mondegreen: I am Doomed to Die.

Jiapa: Ah. Members of the Security staff often feel that way.
      [She reaches into her desk drawer and pulls out Starfleet
      Stardard Counseling Pamphlet 786.4b: "So Your Shirt is 
      Yellow: Dealing with Security Insecurity."] Why don't
      you read--

Mondegreen: No, no. As a Security Officer, I am merely doomed.
      I can handle that. I laugh at doom, though not very
      loudly. As the twenty-seventh Baronet Ruddigarb, however,
      I am Doomed.

Jiapa: Back taxes?

Mondegreen: No, a Family Curse. There's a song, traditional
      in my family, which explains it better than I could.
      [He sings the Curse Song:]

            In days gone by, when pet-
            ty nobles bred like rabbits,
            A certain Baronet
            Had quite appalling habits:
            A lady's hand he'd take,
            They'd cuddle by the lake,
                 He'd lead her on,
                 And then begone;
            In short, he was a rake.

            That was the truly horr'b-
            Le first Bart. Ruddigarb.
                 His practised art:
                 To break a heart.
            The first Bart. Ruddigarb.        

            One lass (to whom, of course,
            He'd promised speedy marriage)
            Turned out to be a sorc-
            Eress of prideful carriage.
            When over she was thrown,
            And she found out he'd flown,
                 She cast some charms
                 Upon his Arms,
            And this she did intone:

            "Each Baronet of Rud-
             Digarb, from now, e'er after
             Shall curse his noble blood
             And his ancestor's laughter;
             Each, when to wed he'll try,
             Shall hear my mocking cry:
                  He'll never see
                  The canopy--
             Instead, he'll simply die.

             Thus Curs-ed are my woo-
             Er and his sons, and so on
            The Curse came sadly true
            --One maiden came to grow on
            The Bart., and plans were made;
            The wedding feast was laid.
                  The wedding bells
                  Soon turned to knells--
            His heart met someone's blade.

            E'er since, the curse's barb
            Has speared each Ruddigarb;
                 Each one who'd wed
                 Becomes a dead
            Ex-Bart. of Ruddigarb.
             
Jiapa: I see. [She leans back in her chair, and taps her fingers
      together.] Tell me, what made you decide to seek couseling now?
      You've surely known about this for some time.

Mondegreen: I'd never given it much thought before, but now the
      Curse has started to come true. While on shore leave at 
      Starbase 6502, I fell in love with the most lovely, charming
      Berjraqyan maiden . . . Rosalind. We were engaged to be
      married, but a few scant minutes before we were to meet to
      go to our wedding, I found myself Croutonizing onto Transporter
      Pad 17.

Jiapa: We'll speak to the Captain at once--surely we can delay our schedule
      by half a day or so, to make time for a wedding.

Mondegreen: But don't you see? This is Fate we're dealing with. The 
      unexpected beam-up was just the start; no matter what we do,
      the Curse will not allow me to be married before I die.

Jiapa: Nonsense, Lieutenant. You're safe on your own ship; the chances
      of anything--or anyone--killing you are remote in the extreme.

       *       *       *       *       *       *       *       *

[Meanwhile, in Commander Ardrys' office on Starbase 6502:]

Rosalind: . . . and then he ran off, shouting about killing some 
     Lieutenant. 

Ardrys: Well, if your brother says he's going to kill someone, it's
     reasonably certain to happen. You didn't happen to note which way
     he was going, did you?

Rosalind: Straight down Corridor 86; my guess is he made a beeline for
     Public Croutonizer 7J, and beamed straight over to the Heisenberg
     from there.

Ardrys: I'll alert them right away. [Puzzles.] You know, I can't
     help wondering why you're telling me about this--I mean,
     the last time your brother killed someone in a duel, you were
     right there as his second. Have you suddenly joined the
     Federation? [There is a smirk in his eyes.]

Rosalind: Hardly--I just don't his petty vendettas interfering with
     . . . a certain project I sent him out on.

Ardrys: Project? [He is looking at he inquisitionally.]

Rosalind [uneasily]: Well . . . [She decides to get the whole thing out
     in the open, and consequently does so in one breath.] He's-supposed
     -to-find-Richard-Mondegreen-Baronet-Ruddigarb-and-bring-him-back-to
     -the-Base-so-that-Richard-and-I-can-get-married. [She looks into his
     face for a reaction.]

Ardrys [taking the news quite restrainedly]: Well. Congratulations.
     On the wedding, I mean.

Rosalind [surprised that he is taking it so well]: Thank you . . .
      Um . . . I don't suppose--I mean I know Starfleet communications
      are for Starfleet business, but--could you get a message to
      Richard for me, to come back? I mean, in case my brother doesn't
      get through.

Ardrys: Oh. Um, certainly. Yes. Well, congratulations. Again. And . . .
      I'll get right on this. Right. Well . . . um, goodbye.

[A few members of Base Security escort her out.]

       *       *       *       *       *       *       *    

[Meanwhile, in the Officers Mess on the Heisenberg, at one extremely 
 long table, Furd the Nurd and Aoki are having an argument.]

Furd: Is not.

Aoki: Is too.

Furd: Starfleet is *not* a military organization. [He clears his
      throat.] We are merely a combined service, with an accent on
      research, that happens to arm its ships with weapons sufficient
      to destroy entire planets.

[Ensign Metag and Lt. Cmdr. yaz-pistachio, embroiled in their own 
 conversation, sit down at the same table.]

Metag: It's all right here in the M3-DZQ26-P78-4 form.

Aoki [to Furd]: See--gratuitous bureaucracy is the first symptom of
      the military mindset.

yaz [overhearing]: This is not gratuitous bureaucracy; Starfleet Command
      has simply gotten sick and tired of starship crews altering the
      configuration of their ships in bizarre, experimental ways. Apparently,
      they're still in a tizzy over there about the Silmaril incident. 
      Anyway, they're insisting that every major new alteration be
      accompanied by some sort of documentation, and the signatures
      of at least three people in Sciences/Engineering. It's supposed
      to guarantee that any such alterations are safe and sensible.

Furd: Or that any starship has at least three insane crewmembers.

yaz: Well, they'd have to all be insane in the same way; I doubt that even
      this ship could produce three people like that. Anyway, even 
      bureaucracy can have its uses. For example, it has come to
      my attention that Ensign Metag here has made major alterations
      to the construction of the ship. In previous times, all I could
      have done would have been to ask him for an explanation; an
      explanation which would probably have been incoherent, and
      would certainly have included sufficient irrelevant history
      that I would have had to shoot him. Now, with his M3-DQZ26-P78-4
      in hand [He takes the page from Metag], I can see who authorized
      the changes. [He looks at the three initialings at the bottom.]
      Okay, I assume one of these M's is you, and the other is maya.

Metag: Actually, they're both me--if you look at the date, you'll
      see that when the form was signed, maya had left already.

yaz [still looking at the page]: And the third signature is YAZ--
      I sure didn't sign this!

Metag: Oh, I'm sorry--that's a typo. It was supposed to read YAY;
      it's an expression of enthusiasm on my home planet.

yaz: Let me get this straight. You initialled this by putting
      down the equivalent of "Metag! Metag! Hurrah!"?

Metag: Well, yes . . . I mean, when you've only got a one word
      name, you have to add something when you initial a form
      --a one-letter signature just gets lost in the shuffle.

yaz: So you have lain twenty kilometres of tubing--

Metag: Warp-transference coils, actually.

yaz: Sorry, *corrogated* tubing throughout the ship, cluttering
      every hallway, filling every Jeffreys tube almost to the
      point of impassability, all without any authorization 
      whatsoever? Good Heavens, man, why?

Metag: Well, it all started some two hundred years ago . . .

Furd [to Aoki]: See, now if this were a *military* organization, we
      actually *could* shoot him.

Metag: It was during Captain Hikaru Sulu's first mission--before he
      became famous for his intercession in the Karibuvian Civil
      War . . .

Aoki [to Furd]: On the other hand, we *are* equipped with phasers, so
      unlike in most civilian situations, we have at least the
      *theoretical* ability to shoot him.

yaz: It probably wouldn't work--phasers have been going on the fritz
      all over the ship. Those slugs seem to have been getting into
      everything.

Aoki: Not everything, surely. The computers have been working just fine.

yaz: Well, let's see. We've had at least five reports of phaser failure
      due to slug contamination. Then there's the phaser printer, the
      phaser coffee maker . . . You know, I'm detecting a pattern here.
      [Polgara joins the table; a stream of airborne slugs trails her,
      like her own private army.] Polgara, that aura of yours--it
      operates on roughly the same frequency as a phaser beam, right?
      [He aims his phaser--wide angle and low power--at her. As he 
      adjusts the frequency control, beautiful interference patterns
      appear and shimmer in the air.]

Kleber [happening by, and sitting down]: That is so cool.

yaz: It's just as I thought. These slugs are attracted to phaser
      and phaser-like energy.

Polgara: So these things have been following me around because
      of my aura? [yaz nods.] Pyndra-klaa! [Her aura is gone, and
      so are the interference patterns. yaz shuts off his 
      already-faltering phaser.]

Kleber: I didn't realize you could turn it on and off like that.

Polgara: Of course. I'm a *sorceress*.

yaz: Now, we already know a phaser beam doesn't kill the critters;
      my guess is, they feed on phaser energy, and use it to 
      reproduce. [He has gotten the back of his phaser open.
      About a hundred slugs spill out, about half of which are
      alive.] Yep. No way that many got in to the phaser--I would
      have seen. Most of these slugs must have been born in there.

Kleber: So every time someone fires a phaser aboard ship--

Aoki: --or uses the phaser printer--

yaz: --or operates the phaser splenograph, we get more slugs.

Kleber: So we can stop their reproduction just by banning phaser
      use aboard ship. But that doesn't tell us how to get rid of
      the ones we have. [Thokk enters, bearing a tray stacked high
      with sauteed slugs, and is seated. Kleber muses:] A nice idea,
      but probably difficult to implement in practice.

Furd: How can you eat that?

Thokk: Chopsticks. [From his pocket he produces an ancient-looking
      pair, and also a salt-shaker. He sprinkles some salt on his
      entree. It vanishes.] AAAAAAAUUUGHHHH!

yaz: Now, that's an idea--we just sprinkle the decks with salt to
      a depth of . . . oh, no.

Polgara: What's wrong?

yaz: Sprinkling the decks won't do it. Ensign Metag, over here,
      has recently put in what amounts to twenty kilometres of
      pipe, all over the ship--a perfect hiding spot for our
      little friends.

[Everyone turns to glare at Metag, who has been speaking all this time,
 completely obliviously to everything going on around him.]

Metag: . . . Volume III, except for the footnotes. But I digress.
      The point is, Ship A managed to disable the artificial 
      gravity system of Ship B, with only two photon torpedoes.
      Naturally, when I read this, I was in shock--AG systems
      are usually indestructible. The only way I could see to
      avoid that possibility was to make our system distributive;
      use transference coils instead of relying upon plain-field
      gravity spread . . . Why are you all staring at me?

yaz: Have you heard a word we've been saying? [Metag clearly has not.]
      It seems that because of certain transference coils that shall
      remain nameless, we are unable to implement as solution to the
      slug situation.

Metag: I, um, see . . . [The glares have become more intense, and Metag
      is increasingly uncomfortable.] That's an . . . interesting
      problem . . . [Metag is slowly getting up.] Let me . . . er
      . . . sleep on it. [He makes a mad dash for the door, nearly
      trampling Jiapa and Mondegreen on their way in.]

Jiapa [sitting down at the table, and motioning for Mondegreen to
      do likewise]: Lieutenant, I'd like you to meet Polgara.
      [Mondegreen bows slightly.] Polgara is a *sorceress*.

Mondegreen: Really? I thought sorceresses always had auras around
      them.

Polgara [a bit annoyed]: And just how do you come to know so much
      about sorceresses?

Mondegreen: Oh, I come by it honestly--my family has a Sorceress's Curse on it.

Polgara [concern replacing annoyance]: Really? [She gingerly
      touches the tip of his nose with her fingertips.]
      It's true--a genuine Type Seventeen Line-of-Descent Curse.
      I haven't seen a case like this in ages. Would you mind
      if I collected some of your fingernail clippings?
      [She is already peering into his eyes with a magnifying
      glass.]

Jiapa: Actually, we were wondering if perhaps you could do something
      about it. You know, like a cure or something.

Polgara: Hmm . . . Do you have any details on the origin and content
      of the curse? [Mondegreen produces several copies of the sheet
      music to the Curse Song, which are duly passed around to all
      present. Polgara, on receiving her copy, scans it quickly
      and shakes her head.] Sorry. You see, when a sorceress lays
      a curse like this, she means it to stick--and since she's 
      an expert on magic, she can build in defences against any kind
      of magical cure. Generally, the least likely person to be
      able to help is another sorceress.

Kleber: Might we try a legal attack, then?

Mondegreen: I beg your pardon?

Kleber: According to this [he holds up the music], every Baronet of
      Ruddigarb dies before marriage, right?

Mondegreen: Indeed--I come from a long line of bachelors.

Kleber: Then no Baronet of Ruddigarb leaves behind legitimate offspring.

Mondegreen: True--I also come from a long line of ba--

Kleber: Then I don't see how there could have been any Baronets after
      the first--a noble title cannot pass to illegitimate descendants.

Mondegreen: Interesting. [To Polgara:] What do you think?

Polgara [again shaking her head]: Unfortunately, the curse as stated
      clearly assumes that the title passes from father to son, 
      regardless of legitimacy. As indeed it has historically--
      you bear your father's title, for example, even though
      you are, legally speaking, not entitled to it, and, for
      that matter, neither was he.

Mondegreen: So because the curse assumed that by-blows could inherit,
      it automatically became true?

Polgara: Precisely. Now, if the curse had been created by William
      Schwenk Gilbert, or some such legalistic mind, you would
      probably be able to remove it just by pointing out the 
      legal error. It wouldn't work on a Sorceress's curse, though,
      unless that sorceress were also a lawyer.

Mondegreen: Let me get this straight: A magical cure won't work
      because the layer of the curse was an expert in magic, and
      a legal cure won't work because she *wasn't* an expert in
      law?

Polgara: Basically.

Mondegreen: So what *can* I try?

Polgara: Well . . . you might try General Cussedness--I've heard
      good things about it.

Mondegreen: General Cussedness?

Polgara: A condition characterized by bitterness, temper, and the
      refusal to quit even when what you're doing doesn't make
      sense. It's supposed to be very powerful, magically speaking,
      or so I've heard--I've never experienced it myself.

Mondegreen: Hmm . . . General Cussedness . . . [He attempts a
      grimace, and fails miserably.] Lemme go practice this a 
      bit. [Just as he leaves, Kabeta enters, and takes his
      seat.] 

Kabeta: Bad news, people. I've just been speaking with Commander 
      Ardrys of Starbase 6502. Apparently, a merchant named 
      Jones, probably armed with a sword, has beamed aboard 
      the Heisenberg, and intends to kill one of our 
      Lieutenants--it's not clear whom. He's also looking for
      one Lieutenant Richard Mondegreen, Baronet Ruddigarb, with
      intent to carry him off. Do any of you know a Mondegreen?

Thokk: He just left. Thokk go get . . . sorry, *I'll* go get him.
      [Dashes out the door.]

Jiapa: Which brings up another point--Lieutenant Mondegreen is 
      engaged to be married to someone on Starbase 6502. Would
      it be possible to stay in port long enough for him to
      do so?

Kabeta: (*Sigh*). Staying in port is easy--but he can't leave the
      ship. Commander Ardrys got wind of our vermin problem, and
      put the Heisenberg under quarantine. All ship-to-base 
      transports have been rendered impossible, under Quarantine
      Directive Four.

Furd: Impossible, or just illegal?

Aoki: Impossible-- Quarantine Directive Four means our computer
      won't let anyone transport to the base unless it receives
      the unlock code from their computer.

Kleber: Can they do that?

Kabeta: It's a bit extreme, but they're well within their rights
      --quarantines are a serious business.

Thokk [re-entering]: Mondegreen's gone. Don't worry, though, I'll
      track him down. If he takes a single step, I will be listening
      for it. If he heaves a single breath, I will be smelling
      for it. If he--

Aoki: Pandora, hon, where's Lieutenant Mondegreen?

Pandora: In his room, tiger, #245.

Kabeta: All right, then: Thokk, round up a couple dozen security people,
      armed with phasers--

yaz: Um . . . that might not be such a good idea. [To Furd:] Would
      you hand me your phaser, please? [Furd does. yaz sets the phaser
      for stun, and fires. Not only does the beam flicker out almost
      immediately, but it attracts a cloud of slugs from all over the
      mess hall.] At the lowest setting, a phaser beam lasts a couple
      of seconds, but on stun it is both almost useless, and [he is
      attempting to wipe slugs off his hand] a positive disadvantage
      to its user. I can't imagine the effect a "kill" setting would
      cause.
       
Kabeta: Right. We'll have to make an announcement about that. No phasers
      until we get the slug problem cleared up.

Furd: Won't that be tipping our hand a bit? I mean, if Jones is
      already aboard ship, won't he hear the announcement too?

Kabeta: The safety of the crew comes first. The advantage of having
      Jones think we can use phasers is vastly outweighed by the
      disadvantage of having our own people think so . . .
      [To Thokk:] How well do you think the Security staff can function
      without phasers?

Thokk: Well . . . I can probably put together a squadron of swordsmen
      --I mean, all the fencing that gets done on this ship must have
      *some* purpose.

Kleber [shaking his head]: No good. I've met--well, shot, actually--
      this Jones. At the time, he was on the point of defeating
      Commander Scribonia in single combat. [Everyone at the table
      whistles appreciatively.] If he's not a Wizard, he's darn
      close. Snark might be able to beat him, if he weren't still
      vacationing on Vinica, but I doubt any other crewmember--
      or group of crewmembers--could beat Jones in a swordfight.

Furd: What we need is a plan . . . [He pulls out a napkin, and starts
      sketching] . . . and you'll go over here, and then the pizza . . .
      [more sketching] . . . and that's when *you* [he turns to
      Kabeta] use your secret ability to turn into a wolf . . . at will.

Kleber: Shh! Not everyone at this table knows that Kabeta has the 
      secret ability to turn into a wolf . . . at will.

Aoki, yaz, Polgara, Jiapa, and Thokk: Well, *I* do.

Kabeta [annoyed, standing up to address the rest of the Officers' Mess]:
       Is there anyone in this room who *doesn't* know my secret?

Entire Room: You mean your secret ability to turn into a wolf . . .
       at will? [Kabeta sighs.]

Furd [who has been continuing all this time]: . . . and thus by using
       the standard Qintoc Flanking Maneuver . . .

Aoki: Is that the one where you blow up all of your own fortifications?

Furd [ignoring him]:  . . . and that should do it. [He turns to Kabeta.]
       Well, what do you think?

Kabeta: It sounds like a plan.

Aoki: It sounds like a military campaign.

Furd [to Aoki]: Not at all. [Everyone is leaving, presumably to carry
       out the plan.] An adherence to elementary tactical principles
       is in no way necessarily indicative of militarism. [Everybody
       at the table, except for Furd and Aoki, has left.] Face it--
       Starfleet is *not* a military organization.

Aoki: Is too.

Furd: Is not.

       *       *       *       *       *       *       *       *

[Scene: An empty Heisenberg corridor.]

Intercomm: Attention All Personel: The use of phasers or phaser-driven
       devices has been determined to be dangerous, for reasons that
       are much, much to complicated to explain. Consequently, until
       further notice, the use of any such device is forbidden. Utterly.
       I repeat: The use of phasers or . . .

[On hearing this, Jones climbs out of an air vent near the ceiling, and
 lands on his feet on the floor. He walks down the corridor with a
 confident air. As he rounds a corner, he encounters Kleber, seated
 at a table, upon which are two goblets, a bottle of grape juice, and
 a tray of Starfleet Issue Square SynthePizza, kept piping hot by a
 Starfleet Issue Square SynthePizza Warmer.]

Kleber: I'm afraid I can't let you pass.

Jones: I see. Now, I know you can't use your phaser.

Kleber: Right.

Jones: Do you have a sword?

Kleber: No.

Jones: A bladed weapon of any sort?

Kleber: No.

Jones: Perhaps a blunt instrument, or some sort of electrical device?

Kleber: No.

Jones: Do you, in fact, have any weapon at all?

Kleber: No.

Jones: Ah. Let me see if I have this straight. I wish to go by, and you
       cannot allow that. You have no weapon, and I have a very big sword.
       [He draws it.] . . . Forgive me, but I only see one way this 
       situation can possibly be resolved.

Kleber: But surely you would never strike down an unarmed opponent.

Jones: True. And for me to get by you--

Kleber: You would indeed have to strike me down. So it appears we are
       at an impasse.

Jones: Hmm . . . Then there is but one way to resolve it--a duel of
       wits. I trust you are armed in that respect?

Kleber: Let me put it this way. Have you ever heard of Plato and 
       Aristotle?

Jones: [Thinks.] No.

Kleber: See?

Jones: Very well. Pour the grape juice. [Kleber fills the goblets, while
       Jones removes a vial from his pocket.] Open this and inhale,
       but be careful not to touch. [He passes the vial over to
       Kleber, who holds it to his nose.]

Kleber: I smell nothing.

Jones: That's because you're not inhaling.

Kleber: Would *you* inhale an unknown substance handed to you
       by a lunatic who's trying to kill one of your fellow
       crewmembers and kidnap another one?

Jones: True enough. [He takes the vial back.] What you are refusing
       to smell is xylocaine liquid. It is odoriferous, tastes terrible,
       and is one of the more potent oral anesthetics known to man.
       [Jones takes the goblets and turns away, busies himself for a
       moment, then turns again with a goblet in each hand, and very
       carefully puts one goblet in front of each of them.] Your 
       guess--where is the xylocaine?

Kleber: Guess? I *think*. I *ponder*. I *deduce*. Then, and only then,
       do I guess.

Jones: The battle of wits has begun. It ends when you decide and
       we drink the juice and the anesthetic does its work and we
       find out who is right, and who talks funny for the rest of the
       day.

Kleber: And I suppose whoever wins this contest gets his own way on
       the issue of you passing me by?

Jones: Yes. And that pizza you've got there.

Kleber: And . . . the pizza. You're not in the Non Sequitor Society,
       are you?

Jones: I was, but Monday follows Sunday, you know? Come, come, make 
       your choice.

Kleber: It's all so simple. All I have to do is deduce, from what I
       know of you, the way your mind works. Are you the kind of
       man who would put xylocaine into his own glass, or into the
       glass of his enemy?

Jones: You're stalling.

Kleber: Stalling? I've barely even *begun* stalling. Now, a great fool
       would put the xylocaine into his own goblet, because a great fool
       would count on his ability to juggle and pratfall and
       otherwise distract his opponent long enough to switch the
       glasses. [He looks into Jones's eyes]. I can tell from
       the look in your eyes that you're not in the SCA (though
       your sister is) and are thus not in the Fool's Guild, so
       I can clearly not choose the juice in front of me.

Jones: Keep going.

Kleber: I intend to. Now, xylocaine comes from Earth, and Earth is
       entirely peopled by Terrans, and thus, being Terrafied of 
       losing this contest, you would put the xylocaine as far
       as possible from yourself. so I can clearly not choose 
       the juice in front of me. But then, you must have suspected
       I knew the origins of xylocaine, particularly since the vial
       has a "Made on Earth" label on it, so I can clearly not choose
       the juice in front of you.

Jones: Truly, you have a dizzying intellect.

Kleber: Now, several months ago, when you were about to skewer
       Commander Scribonia, I casually shot you, so your thirst
       for revenge would probably lead you to instinctively put the
       xylocaine into my goblet, so I can clearly not choose the juice
       in front of me. However, judging from the intense look of
       rage that your eyes have suddenly acquired, and the fact
       that you are now attempting to throttle me, I suspect
       that you did not realize until (*gurgle*) now that it
       was (*gasp*) I who shot you, and thus that bit of 
       information (*gllll*) cannot have entered into your
       decision at all. (*gasp*) Please unhand me--this
       (*gurgle*) is a battle of wits, remember? [Jones grudgingly
       complies.]

Jones: (*grumble*) Are you quite finished?

Kleber: Only to the extent that I now know where the xylocaine is.

Jones: Only a genius could ha--[He sees, behind Kleber's back,
       a leftover hippopotamus skipping gaily down a side corridor.]
       What in the world could that be? [While he is distracted,
       Kleber switches the goblets.] I could have sworn I saw
       something. [Kleber begins to laugh.] I don't understand 
       what's so funny.

Kleber: Tell you in a minute. But first, let's drink--you from
       your goblet, and me from mine.

[They do so.]

Jones: You guessed wrong.

Kleber: You only *think* I guessed wrong. That's what's so funny.
       I switched goblets when your back was turned. You fell
       victim to one of the classic blunders. The most famous
       is "Never get involved in a naval war on Vulcan," but only
       slightly less well known is this: [he picks up a perfectly
       square slice of pizza] "Never go in against a Speaker
       for the Dead when Sicilian pizza is on the line." [He
       takes a huge, triumphant bite out of the *extremely*
       hot pizza--with the standard side effect.] AAAAAUUUUGHH.
       [The goblets are empty, so he downs the rest of the 
       bottle in one gulp.]

Jones [sardonically]: Are you all right?

Kleber: No, I'm naugh augh wigh! [The top of his mouth is a bit
       burnt.]

Jones: As I *recall*, [he is deliberately elocuting very precisely]
       the contest was to see who would end up talking funny.
       I believe I have won. [Quick as a wink, he has leapt over
       the table, and is on his way.]

       *       *       *       *       *       *       *       *

[Scene: A private residence, on Starbase 6502. Various members of
 the local chapter of the Society for Chivalric Atavism are there,
 including Rosalind, who is sewing a strange-looking garment.
 Various others are cooking, calligraphing, and so forth, and
 a large contingent is singing and dancing:]

Dancers: I ache for the sight of your sword, dear,
         And to call you milady/milord, dear,
         Let's dress like Celts
         And wear bunny pelts
         As we dance the Anachronism Tango.

         May our light be a flame, not a flash, love
         May the Pox never make us act rash, love
         Try not to laugh
         When I calligraph
         As we dance the Anachronism Tango.

         At your command 
         In armor here I stand,
         My sword is in my hand--Ouch!
         Next time, I'll hold the hilt.
         The fight is fierce
         (To quote from Ambrose Bierce).
         So long--I gotta pierce
         That guy there, in the kilt.

         I think that my cloak's out of period
         (I got the design from Lem's _Cyberiad_),
         But none can assail
         My dominant mail
         As we dance the Anachronism Tango.

         I met a Knight
         When I ate at your table;
         Or, a stag rampant sable
         Were the arms that he bore.
         And we had quite a fight
         Whether it was a wagon,
         Or (as he claimed) a dragon,
         That he drove to the War.

         We'll cook leg of lamb, not knishes,
         And try to stretch out the loaves and fishes;
         And then we'll draw lots
         For who'll clean the pots
         As we dance the Anachronism Tango.

         I'll sew a seam,
         And make my armor gleam,
         And anything you deem
         Authentic, I shall try;
         I'll brew some beer,
         And then some sheep I'll shear,
         Because it is, my dear,
         A terrific day to day to dye. (Sorry.)

         So sew me a gown made of satin;
         Speak English, pretending that it's Latin,
         Or use "thee" and "thou,"
         And "Zounds"--with an "ou"--
         As we dance the Anachronism Tango.
 
[Ardrys enters the room, followed by four members of Base Security.
 He spots Rosalind, and goes over to her.]

Rosalind [not looking up from her sewing]: Tell your friends to
       wipe their feet before coming in.

Ardrys: Rosalind, we're on a Starbase near the edge of the Galaxy.
       We're two hundred parsecs from the nearest mud.

Rosalind: That's not my problem. *I'm* not the one coming in here
       with my own private army. [Ardrys motions for the redshirts
       to wait outside. Once they have left, Rosalind finally looks
       up at him.] Is it really necessary to have your dogs following
       you everywhere you go?

Ardrys: On a Federation Starbase--

Rosalind: Mainly populated by non-Federation traders.

Ardrys: --which is run by Starfleet--

Rosalind: Or rather, by a single Starfleet Commander, and the 
       redshirts under his command.

Ardrys: Look, it's not as if it's some kind of military dictatorship--

Rosalind: No?

Ardrys: Starfleet is a non-military organization.

Rosalind: So you keep telling me. (*sigh*) Look, you obviously came
       here for a reason. If you've got news about my brother, spill
       it. If you're here to press your suit one more time, let me
       get back to my sewing.

Ardrys: Very well. Your brother has been spotted aboard the Heisenberg.
       The details aren't quite clear, but apparently he has succeeded
       in injuring--nonfatally--one Lieutenant Kleber. For some reason,
       they weren't quite specific on just how this happened--I can
       only assume it was a swordfight of some sort.

Rosalind: That idiot! If he's going to put off bringing Richard back
       just so he can take his petty revenge, he ought to at least get
       the job done right! Nonfatally injured, indeed!
       [She is fuming, as we have never seen anyone fume, except
       Jones.]

Ardrys [backing off, a look of terror in his eyes]: Yes . . . quite.
       [He is halfway to the door]: Um . . . interesting outfit
       you're sewing--Tudor, is it?

Rosalind [icily]: No.

Ardrys [almost at the door]: Well, um . . . good to see you again.
       [He escapes.]

---------------------------------


Date: Wed, 1 Apr 92 11:39:28 -0500
From: bryant@husc.harvard.edu
Subject: ST:TCG4 "Sheep's Clothing" (LONG)

This is from Lucy Hadden, occasionally aka Scribonia the Illegible.
-----

>From hadden@husc Tue Mar 31 22:57:57 1992
Return-Receipt-To: hadden@husc (Lucy Hadden)


[A small, plain cabin.  We see Metag in his pajamas, and monkeys
everywhere.]  
McDonagh (ic): Sorry about this, folks, the holocorridor
seems to have suffered a leak again.  Some trained volunteers and I are
working on it, and hope to have it cleared up as soon as possible.  Once
again, we apologize for the inconvenience.  
Metag: Good thing, too.  With all these stupid holobaboons around, I can't
tell *which* way is up.  [The door opens, and an armored figure appears,
carrying what looks like a large, nasty gun.  Metag cringes as Andy opens
fire on the baboons.]  
Baboons (seriatum)(disappearing): MNAAGH!![high-pitched] 
Metag: Don't you know it's not polite to wave large weapons at strangers?  
Crackdown Andy: Sorry.  I'm Crackdown Andy, a new member of
the security team.  I'm used to dealing with those things [waving gun].
[Metag cringes again.]  Well, I have to go disperse more holobaboons.  See
ya around.  [waves gun yet again, this time goodbye] 
Metag stares blankly at the closed door.

Sheep's Clothing
Written by Lucy Hadden
Directed by
With guest appearances by:
Leonid Fridman as Wat A. Mellin
Ximena Cearley as the wolf's voice
Concerned Man as himself
and Sam Nelson as Crackdown Andy
Theme Music from "Peter and the Wolf" by Sergei Prokofiev

Captain's Log, Stardate : "We have just finished our stay at
Starbase Copshawholme, where we were restocking some supplies, and a number
of the crew took an opportunity to visit their lovely new zoo.  While
there, McDonagh experienced another of his holocorridor meltdowns, after
trying too hard to create a holowhale.  He has the problem under control,
and operations are proceeding normally."

[Ship's corridor.  McDonagh and Kabeta are engaged in passing
conversation.]  
Kabeta: Well, I'm glad you've finally got things under
control.  And *please* wait for the new chips to arrive before you try a
whale again.
McDonagh:  Will do, Captain.  We should be done with the last stragglers by
beginning of the next shift.
Kabeta:  Carry on, Mr. McDonagh. 
[McDonagh leaves.  Kabeta walks off, around a corner.  The camera stays
put.  A few seconds later, we see a wolf walk by, close to the wall.  Furd
passes it.  He has not seen Kabeta.]  
Furd [to himself]: That's funny.  I don't think the captain *used* to skulk
in corners like that.  Oh, well.  [He goes about his business.]

[Cut to Kabeta, about to enter her quarters.  Before going in, she looks
back the way she came, and sees the wolf.]  
K: That's odd.  I thought McDonagh said he'd taken care of those things.
[Goes in.]

[Somewhat later, in Kabeta's quarters.  The captain has gotten a book from
the ship's library, and is avidly reading it.]
Kabeta: Why on earth did I have to start reading a book called "The Call of
the Wild?"  I must have wolves on the brain.  All the holograms *I've* seen
today have been wolves, and now I get this stupid book. [She looks up, and
sees the wolf, which has followed her in.]  What!  Again?!  I don't mind a
stray holocritter, but having them following me around is getting to be a
bit much.  [She throws the book, which is a hardbound collection of all of
Jack London's works, at the wolf's head.  It lands solidly, much to her
surprise, and knocks the wolf out.  Kabeta walks over, picks up the wolf in
both arms, and leaves the room.]

[Sickbay.  Dr. Hertzman is sitting down.  Kabeta enters, carrying the wolf.]
Hertzman:  What are you doing here?  And what is *that*?
Kabeta: It's a wolf, and I knocked it out with my book, accidentally.
[Defensively] Well, how was I supposed to know it wasn't a hologram?
Anyway, I was hoping you could make sure it'll be OK.
Hertzman: Dammit, Captain, I'm a doctor, not a veterinarian.  Put it down
on that bed over there, and we'll see if it wakes up soon.  I'm due for a
break, and I'm going to take it.
[Kabeta does so]
Guillaume [ic]:  Has anyone seen my glasses?
[Kabeta and Hertzman laugh]
Kabeta:  Sorry to bother you, doctor.  Shall I walk you to the canteen?
Hertzman: Sure.
Guillaume [ic]: Sorry about that.  I think I hit the intercom button by
accident.  At least, I think that's what I hit, since I couldn't see it.
I'm sure it was an accident, I think.  [They leave.]

[Cut to the face of Concerned Man looking, as always, concerned.  Pull back
a bit.  We see that he's holding a chair, and waving it about frantically.
We start to hear faint growls.  Pull further back, until we see that the
wolf is growling and snarling and jumping at him, and only the chair is
keeping her from getting to him and doing some serious damage.  Dr.
Hertzman returns from her break, and sizes up the situation immediately.]
Dr. Hertzman [ic]: Music Coordinator to Sickbay immediately!  And bring
music with charms to soothe the savage beast.
[Soon eloraC enters, carrying a portable music broadcasting device, which
is currently playing a lullaby.  The wolf eventually backs off, freeing
Concerned Man from his chair and corner.]
CM: Thanks, eloraC.  I wasn't sure *what* was going to happen if someone
didn't get that thing away from me soon.
eloraC:  You're more than welcome.  Glad I got here in time.  
CM: By the way, does anyone know how that wolf got on this ship in the
first place?  
Hertzman: Oh, I don't know.  Everything else does, somehow.  What were you
doing that got it so angry at you, anyway?  [The wolf slinks out
unnoticed.]  
CM: I'm not sure.  I was just giving her a quick check-up, and
bandaging her head, and suddenly she was up and snarling at me.  
Hertzman:  Her?  
CM: Yeah, that was one of the things I checked shortly before she
went for my throat.

[Kabeta's quarters.  The captain is reading again, and hears a scratching
on the door.  She opens it, and the wolf, head in bandages, enters.]
K: Oh, it's you again.  I'm very sorry I hit you earlier.  Are you OK now?
[she scritches behind its ears, a place not covered by a bandage.  The wolf
fawns in response.]  Oh, good.  [The wolf sits down.]  Well, look, I'm
thinking of going to sleep pretty soon, and I'm not sure if you should
spend the night.  [The wolf whines, then rubs up against her legs in a
suggestive manner.]  What do you think you're doing?  I don't understand.
[The wolf continues to nuzzle her.] [Fade to black.]

[Just outside the library.  The wolf is sitting next to the door.
Guillaume wanders out.  He is not wearing his glasses.]  Guillaume: Now why
did I wander out here?  [notices wolf] Oh, hi doggy.  Nice dog.  [pats wolf
on the head] Now how *do* you say that in dog?  [He wanders back in to the
library, leaving the door open.  The wolf follows.]  Let's see, where is
that set of Standard-Dog dictionaries?  Oh, yes.  They're filed under "R",
for "Languages".  Ah, the joys of having a predecessor who couldn't
distinguish his liquids to save his life.... Here they are.  Beagle...no,
wrong dialect.  Um, what exactly do I want here, anyway?  [At this point,
the wolf, which has been nosing about in his stuff in the background walks
up with his glasses held carefully in its mouth, and shoves them into his
hand.]  Why thank you, [puts his glasses on] wolf!?  Well, well, well.  I'm
sure I had a wolf dialect dictionary around here somewhere... here it is.
Good.  Now.  [Leafs through to phrasebook section of the dictionary.]
How... may... I... help... you...?  
Wolf: Ger?  GrrRrrum. <(It should be a feminine ending
on that "you", by the way.)>
Guillaume [frantically leafing through the book]: Very... slowly....
You'll... have... to... forgive... me... for...  taking... so long.
Wolf [throwing herself flat on the floor]: 
G: Who?  
W: The wolf who looks like you.  
G [in Standard]: Oh, she must mean the captain, Kabeta.  Um, hang on a sec,
this sounds complicated.  [to the wolf] Excuse me... one minute... I...
need... some...  better... translator... than this.  [in Standard, ic]:
Sorceress to the library please, Polgara to the library.  [Polgara enters.]
Polgara: Hi, Guillaume.  What can I do you for?  
G: Hi, Polgara.  Could you do me a big favor and cast Speak With Animals on
me?  I really need to be able to talk to this wolf more fluently.
P: Sure, no problem.  Haven't had an opportunity to use that one yet.  Nice
to have a use for this stuff they taught me at Sorcerous U.  [casts spell]
Well, have to run.  I left a broom fetching water for me, and I want to
keep an eye on it.
G: Sure.  Thanks a lot.  See you soon.  
P: Bye.  
[Since much of wolf language is body
language, there is now a ghostly image of a wolf around Guillaume, making
the appropriate noises and motions as he speaks.]  
G [to the wolf]: Sorry about that.  But I hope this will make talking a
little easier.  Now.  You were saying that the Captain doesn't love you...?
Wolf: Yes, she's the love of my life, the wolf of my dreams, and she
doesn't love me.  
G: Are you sure?  
W: About as sure as I can be.  She switched into wolf form, and, although I
couldn't understand everything she was saying, it all amounted to
rejection.  
G [scratching behind wolf's ears]: Ouch.  I'm sorry.  That's really
tough...  
[Fade out]

[Fade in to Jiapa's office, where she and the captain are engaged in
conversation.]
K: So then I switch into wolf form, and ask her exactly what she thinks
she's doing.  It turns out that we don't speak the same dialect, and she
has some phonemes I didn't know existed, not to mention some motions I
didn't realize had any linguistic value whatsoever.  Anyway, she confirmed
being romantically interested in me, and I tried to explain that I'm just
not interested, and will never be interested.  I'm just much more into male
humans than female wolves.  I hope I got through, and I hope she's not too
upset.  She seems like a really nice wolf to have as a friend, but if she
insists on this romantic angle, something'll have to change.  I mean, I let
her sleep on my bed last night, and she almost broke both my knees!
[Jiapa starts to say something, but is interrupted by the intercom]
Furd the Nurd [ic]:  Kabeta to bridge!  Urgent!
Kabeta:  Oops.  Gotta run.  Sorry, Jiapa.  

[Cut to bridge.  On the screen we see a ship of no known class.  It's sort
of long and rectangular, with odd transparent solar panels at either end.]
Kabeta:  What's that?
Furd:  It's a ship, captain.
K:  Thank you, Furd.  What is it doing?
F: Nothing, captain.  We've tried hailing it several times, with no
response.  What do you think we should do?
K:  Well, I...
Speaker for the Dead [tearing the miniature radio headset out of his ear]:
Captain, I'm picking up... *Christmas*muzak*, and I think it's coming from
that ship!
[Just then, the Christmas muzak begins playing on the intercom, preventing
any other communications.  Everyone on the bridge starts drifting off into
a daze somewhere between sleep and shopping-exhuasted.  We see that the
folks in the engine room are doing the same, as are people all over the
ship.]

[Croutonizer Room.  A number of men, all of whom look like Santa Claus
appear, along with Bloocheez.  These are the Jolly Ranchers, racial cousins
and good friends of the Hidden Valley Ranchers. They depart for the
bridge.]

[Recreation Room]: eloraC has been listening to some music on her
headphones, trying to come up with a musical program for the next day.  As
a result, she has not heard the music over the intercom.  She rises, and
takes off the headphones.]
eloraC: Gee, there are an awful lot of people asleep in here.  And wait,
what's that music?  [with some heat] What are they doing playing muzak on
*my*ship*?  Boy, I'm getting awfully tired.  [yawns, and puts on headphones
before stretching out] Wait.  Now I'm feeling fine.  There must be
something dazing in that muzak.
[She starts fiddling with knobs and buttons and things, trying to override
the Ranchers' signal and pipe in her own music.]

[Bridge.  All the crew members are still looking dazed, and the music is
still playing.  The Jolly Ranchers enter.  Bloocheez heads for the captain;
one of the Ranchers heads for the Zenador.]
Captain Wat A. Mellin[into the intercom]: Greetings, Heisenberg crew.
You're all dazed, so you won't understand this till you wake up, but I just
had to gloat.  I am Captain Wat A. Mellin of the Jolly Ranchers.  I have
been looking all my life for that special someone, and decided that your
Zenador fit the bill perfectly.  So my friend Bloocheez and I will
celebrate a double wedding: he to your Captain and me to your Zenador.  In
exchange, I'll leave you each a lifetime supply of hard candy.

[Library.  Guillaume and the wolf are deep in conversation, as Guillaume
almost always turns off the intercom in the library.  He says it's too
noisy for a library.  Suddenly the wolf looks up, looks about, and runs out
of the room.]  
G: Hm.  That was odd.  Oh, well.  Now, what was I doing
before that wolf showed up?  Oh, yes.  Looking for my glasses.  I wonder
where they are...?

[Bridge.  Mellin is standing with his back to the door, supervising the
abduction of the two prisoners, who are awake enough to be struggling
feebly.  Suddenly the awful music stops, and the cheerful strains of "Peter
and the Wolf" can be heard instead.]
Furd [waking up somewhat]: Huh?  What was that?  I dreamed I'd been dragged
to a mall and had to go shopping for several hours.  Ugh.  [Looks up.]
Well, you don't have to wave that phaser in my face, you know.  What an
awful way to wake up from a nap.
Bloocheez: YOWLLLLLLLLLL!  [The Jolly Ranchers are distracted by his howl,
and by the sight of a man with his leg between the jaws of a large wolf,
long enough that the crew of the Heisenberg can get themselves back
together and regain control.]
Zenador [to Mellin]:  You're not even cute enough to consider.
Mellin [offended]: What!  Why, I'm considered a great prize on my planet.
*You* just don't have any taste.  [He prances about, showing off, and
allowing Zenador to disarm him and tie him to the nearest chair.]
[The fighting continues for a few more minutes, but the Heisenbergians
quickly regain control, and eject the Jolly Ranchers.  eloraC gets to the
bridge soon after it all ends.]
Kabeta [to the wolf]: Well, thanks for the help, but I'm still not
interested.  And at this point, I'm sure glad I've never had a jealous
boyfriend, if this is what they're like.  And thank you, eloraC, for
turning off that infernal muzak. [to the wolf again] But what are we going
to do with you?  It must not be easy, being the only lesbian wolf in the
galaxy.
Pandora: Wait.  Scanning.  Ah, here it is.  Oddly enough, Captain, I've
found an article with that headline in a news release from a few days ago.
It seems that a female wolf in another sector entirely, on planet
Doolittle, has been snapping at every male wolf to come her way, even when
she was in heat.  They suspect she's lesbian, though there is, of course,
no way to prove it.  Maybe we should introduce the two.
K:  Perfect.  
G [wandering in]:  What happened?  Did I miss anything?
K: Set a course for Doolittle, maximum warp.  And dig up a recording of
"Wedding March", will you eloraC?
G [who's been filled in]:  And if we hadn't caught the wolf?  What then?
[Fade to credits]

						

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